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  • by Philip Sherburne
    The Dutch electronic musician and the London-based drummer blur the line between drum programming and organic percussion in a drifting yet groovy set of compositions.
  • by Joshua Minsoo Kim
    Channeling ’90s slowcore and post-rock into gorgeously brooding odes to dejection, the Chicago quartet’s debut is downer music at its most alluring.
  • by Sam Goldner
    On his latest album, the Russian producer crafts distinctive rhythms inspired by the chiming repetitions of Indonesian gamelan music.
  • by Lydia Wei
    The songwriter and producer’s second album pairs bedroom-pop vulnerability with electroclash chaos to capture the emotional overload of growing up.
  • by Emma Madden
    Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the spare, gentle, semi-forgotten singer-songwriter album that’s fueled 50 years of “sapphic pop.”
  • by Alfred Soto
    The avant-pop group’s long unavailable, newly reissued debut epitomizes its attempt to meld its art-school background, ’70s punk ethics, and obsession with chart pop into one grand statement.
  • by Sam Sodomsky
    Former Black Midi bassist Cameron Picton’s dazzlingly complicated solo debut is a tangle of baroque melodies, chamber-punk arrangements, and garden-path lyrics.