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  • by Jude Noel
    The trio’s first album in five years marks a gloriously messy return to form, dredging up the scuzz of the group’s early work and privileging melody over showiness.
  • by Zach Schonfeld
    Working with producer Andrew Wyatt, the band turns in a strong and suitably dour album that nonetheless carries the frustrating tinge of more interesting possibilities.
  • by Ryan Leas
    The My Morning Jacket frontman sounds graceful and unburdened on his latest solo album. It’s his strongest work in a decade.
  • by Olivier Lafontant
    Six years after their first collaborative EP, the Miami rapper and the producer formerly known as Kenny Beats team up again, but both the rapping and the beats mostly feel stuck on autopilot.
  • by Christopher R. Weingarten
    The Beastie Boy strikes a reflective tone on a solo album made up of frenetic, funky glitch-rap-electro-punk beats reminiscent of his remixing work. Nothing quite sticks.
  • by Shaad D’Souza
    The sixth album from John Ross’ heartland indie project offers terse, literary tales of American detritus while exuding an unshowy charm.
  • by Nina Corcoran
    Inspired by new wave classics, the latest album from the Chicago post-punk band is a raging, uncontrollable dance party.