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  • by Stephen Thomas Erlewine
    Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit an idiosyncratic, funk-infused LP caught between the album-oriented 1970s and the electronic futurism of the 1980s.
  • by Philip Sherburne
    Crafted from the same materials that yielded Everything Squared, the British band’s new record of cosmological dub offers new insight into its recombinant philosophy.
  • by Matthew Blackwell
    Frustrated by the reception to this year’s Death Jokes, Damon McMahon announced the end of Amen Dunes—but not before reworking the LP’s maximalist excess into this leaner, more direct swan song.
  • by Daniel Bromfield
    The Japanese producer’s latest LP blends dub techno with the sunnier house sounds of his more recent work; twinkling digital synths and idiosyncratic samples add a welcome sentimental touch.
  • by Harry Tafoya
    On the beloved indie-pop trio’s 11th album, world-weary acceptance and the unending march of time take shape as cloudy ambient tones and creepy nocturnal resonance.
  • by Alex Ramos
    On her solo debut, the BLACKPINK star aims to draw listeners close. But rather than offer a fresh vision of the singer, the record leans on outdated references and thinly sketched heartache.
  • by Dash Lewis
    Flute voyager Shabaka Hutchings follows up his debut solo album with a shadowy, searching EP that pushes his blend of New Age, jazz, and hip-hop further afield.